News

Vincent Xeus Named Judge for the 2026 Gavel Competition, Sotheby's Institute of Art

Contemporary artist Vincent Xeus served as a judge on the New York panel of the 2026 Gavel Competition at Sotheby's Institute of Art, held simultaneously at Sotheby's auction houses in London and New York on May 27, 2026. Vincent joined Benjamin Doller, Chairman Americas at Sotheby's, Rachel ten Brink, General Partner of Red Bike Capital, and Brandon Busteed, CEO of Edconic. The competition is the flagship event of the Sotheby's Institute Enterprise Studio, recognizing early-stage ventures shaping the future of the art and luxury industries.

Vincent Xeus — A Contemporary Master of American Art

A long-form feature on contemporary artist Vincent Xeus in American Art Collector, tracing the trajectory from architectural training at UC Berkeley through the MBA at Columbia University to the current painting practice in New York. The article documents the early development of Vincent's collaboration with members of the Kennedy family on the body of work that would become LIGHT \ POWER: The Kennedy Women.

Vincent Xeus Named 2022 Fra Angelico Artist of the Year

Vincent Xeus was named 2022 Fra Angelico Artist of the Year by Windows to the Divine Foundation. Xeus was also a featured speaker at the foundation's salon, presenting alongside Art Historian Peter Trippi, Editor-in-Chief of Fine Art Connoisseur, and Helen Harrison, longtime Director of the Pollock-Krasner House and Study Center.

Budweiser Art Experiential Center, Shenzhen — RED186

Vincent Xeus served as Chief Artistic and Design Director of the Budweiser experiential pavilion in Shenzhen, China, named RED186. Anheuser-Busch InBev's first global art experiential center unified architecture, branding, and visitor experience under a single creative vision, applying the logic of Vincent's contemporary painting practice at building scale.

Vincent Xeus Speaks at the 22nd Harvard College China Forum

Vincent Xeus was a featured speaker in the Arts and Culture programming at the 22nd Harvard College China Forum in April 2019. Xeus engaged in dynamic discussions alongside esteemed colleagues Jessica Zhang, Asia Director at Artnet and Director of Beijing's Today Art Museum, and Eugene Wang, Abby Aldrich Rockefeller Professor of Asian Art at Harvard.

Centered around the theme "A Global Community, One Shared Destiny," the forum served as a vital platform for cross-cultural dialogue. The event not only highlighted the evolving landscape of contemporary art and culture but also featured major keynote presentations by global luminaries, including Kevin Rudd, Larry Culp, Jin Liqun, and Shirley Young.

John Dalton, Gently Does It — Episode 88: Vincent Xeus on Working On The Bigger Picture

A ninety-minute conversation between figurative painter Vincent Xeus and John Dalton recorded in New York. The episode covers architecture and sculpture, the role of reference and model-making in the painting practice, color palette and canvas shape, the Chinese Scar artists, and the thinking that would eventually shape Vincent's current body of work, LIGHT \ POWER: The Kennedy Women.

Hue Is Full / A Thousand Faces — Vincent Xeus in American Art Collector

John O'Hern's preview in American Art Collector covered Vincent Xeus's solo exhibition of over thirty paintings. The subjects, drawn from pop culture and the canon of art history, marked an articulation of the inquiry into cultural image and historical memory that runs through Xeus's practice.

Vincent Xeus Exhibits New Portraits in Hue Is Full / A Thousand Faces — Hi-Fructose

Hi-Fructose covered Vincent Xeus's solo exhibition Hue Is Full / A Thousand Faces, comparing the work to Gerhard Richter and Francis Bacon. The wiping and scraping techniques introduced in the exhibition remain central to the painting practice today.

De Crystal Art Pavilion, Sichuan

Vincent Xeus served as Founding Principal of De Crystal, a standalone art pavilion in Sichuan, China. The project translated the compositional logic of Vincent's painting practice to architecture, treating the structure as a sculptural meditation on light, geometry, and surrounding landscape.